Arri Red

The rate of technological change is so fast that today's best professional and consumer equipment obsolete almost immediately. In high-technology fields, such as audio, video, film, and electronics, five years is equivalent to a geological age of the Earth. Filmmakers who have grown up in the "digital age" so to speak, have seen the expansion technology of filmmaking has taken a path of "then" to "now" that illuminates 15 or 20 years of breakthroughs.

Experienced directors and filmmakers have made a movie with everything from a video of a Super8 Arriflex 535B, and there have been in almost every size and format, large high-definition cameras, as the Varicam and CineAlta Sony video cameras of old VHS-C. For many veteran directors were the results obtained with a good film camera that taught them what to look for in a video camera when new technologies began to appear. The Arriflex 535B, then, is a perfect object for the study, standing as it does at the nexus of film and video technology.

35mm and Super 35 mm camera, Arriflex 535B was developed by the ARRI, the largest maker of equipment for the Motion Picture in the world, founded in Munich, Germany in 1917. It debuted in 1990, the camera was designed to be fully compatible with the line of 535 products, and its basic version offers all the essential functions of a modern production chamber. Although more lighter and smaller than 535, the 535B is capable of utilizing the full range of 535 accessories.

The new design, modular display system of the Arriflex 535B, like its predecessor, can rotate on two axes to allow the display of each party. A beam splitter is used to connect a 1 / 2 "video camera CCD, and the viewer any system can be removed and replaced without tools.

The film transport of the 535B, seven liaison ARRI motion logging Dual-pin and pull-down claw, ensures quiet operation and stability of the image. Crystal-controlled frame rates from 3 to 60 fps and the fixed settings of 24, 25, 29.97, and 30 fps are selectable.

The essential information like catalog of movies, battery voltage, frame rate and code time are clearly shown on the left side of the camera. Central crossbar ergonomic grip system can be used as a carrying handle, and also connected to accessories such as mini-monitors and lighting reinforcement. Although the camera is too large for use of POV, if a low profile camera is needed grip system all be removed.

Film magazine operation manual was revised to allow assimilation of slack film using the 535 two coaxial journals (400 and 1000 feet). The 535B is capable of modular accessories such as programmable format marks an extension of an integrated viewer with a magnifying glass (available in two lengths) and a plug-in screen that swivels to see all sides.

The Arriflex 535B is a well built, programmable 35 mm SLR camera mirror universal With the latest technology analog film – but, being on the cusp of the digital age, ARRI enabled data entry through an optional camera Control Unit (CCU-1). In less than 31 pounds. with no film magazine, the 535B is not done to POV or handheld shooting, but their reliability and beautiful film out to ensure that we will see films made in him and his brothers for a long time to come.

This article provided by Scott McQuarrie representing EZWatch Pro Video Surveillance, a leading provider of security cameras and video security systems for any application. The EZWatch Pro brand has come to stand for world-class expertise in electronic security, video surveillance and the myriad technologies involved in both fields. From small business to gigantic international airports, there is an EZWatch Pro solution to meet any and every business, school and government security challenge.

Arri Red

Arri Red